Dr. Robert Richardson, a dedicated young general practitioner, seeks to establish himself in an isolated fishing village on Cape Breton Island off the Nova Scotia coast. The population is poor and the struggling physician generally gets paid for his efforts in barter. When he meets Belinda McDonald, a young deaf mute callously dismissed by family and neighbors as "the dummy," he alone senses her innate intelligence. He overcomes the initial skepticism of her flinty, gruff father and indifferently cold aunt, who operate a hardscrabble grist mill and farm, and devotes himself to teaching the young girl sign language and lip-reading. Hopes are even raised that she might even eventually qualify for a medical procedure that might improve her condition. Her optimism is crushed, however, when she raped by Locky McCormick, a brutish local fisherman. Traumatized, she is unable to communicate the outrage to her family...

Seven years later, 13-year-old Damien is just discovering who he really is, and what he is destined to do. Now living with his Aunt, Uncle, and cousin in a wealthy suburb of Chicago, Damien is anxious to inherit everything. Can Richard Thorn finish the job that Damien's father (Ambassador Thorn) started?

This is an English language film (made in America) adapted from a novel by German author Erich Maria Remarque. The film follows a group of German schoolboys, talked into enlisting at the beginning of World War 1 by their jingoistic teacher. The story is told entirely through the experiences of the young German recruits and highlights the tragedy of war through the eyes of individuals. As the boys witness death and mutilation all around them, any preconceptions about "the enemy" and the "rights and wrongs" of the conflict disappear, leaving them angry and bewildered. This is highlighted in the scene where Paul mortally wounds a French soldier and then weeps bitterly as he fights to save his life while trapped in a shell crater with the body. The film is not about heroism but about drudgery and futility and the gulf between the concept of war and the actuality.